Upon its initial UK release, our critic praised John Carpenter’s third feature as “one of the cinema's most perfectly engineered devices for saying ‘Boo!’” ...

From Sense & Sensibility to Hulk... On his 70th birthday, we plot a beginner’s path through the shape-shifting work of Taiwanese director Ang Lee.

South Korean cinema saw an explosion of creativity in the 1950s and 60s, but the films weren’t as widely exported as those of the Japanese golden age. Begin your exploration with this handful of ...

A superb Daniel Craig drinks and dopes his days away in Mexico and becomes besotted with a young man in Guadagnino’s poetic reinvention of Burroughs’ grimy, semi-autobiographical novel.

A new animated documentary presents the life of musician Pharrell Williams in an enjoyable and surprising Lego package.

For all its narrative’s temporal hopscotching, We Live in Time clearly knows its designated time, and place, in cinematic weepie lineage. If many Golden Age Hollywood melodramas – Casablanca (1942), ...

The winning films explore a fascinating breadth of themes and stories, with best film going to Adam Elliot’s Memoir of a Snail.

WorkWise for Screen is a pilot to support screen businesses and employers to prioritise equality, dignity and respect in the workplace and sector specific guidance on the government’s incoming ...

Mark Cousins’s hypnotic documentary attempts to access artist Wilhelmina Barns-Graham’s unique way of seeing by mirroring the haphazard geometries of her work.

The idea that New Zealand films could attract global success was on the ascendant in the 80s and 90s, after the New Zealand Film Commission had been established and highly distinctive films such as ...

In our autumn 1987 issue Michal Leszczylowski, editor of The Sacrifice, remembers his last meeting with Andrei Tarkovsky.

Director Gary Dauberman’s long-gestating adaptation of Stephen King’s small town vampire story plays with vampire conventions to create suspense rather than surprise.