I’ll take Renée Zellweger’s nose scrunch wherever I can get it, even in Peacock’s Bridget Jones: Mad About the Boy.

The return of the beloved film franchise represents a wider trend toward stories about women who are determined to ...

A long precredit sequence establishes the successful balance between anguish and autumnal humour. In the years since the lively Bridget Jones’s Baby, Mark Darcy, Bridget’s long-pursued husband, has ...