The latest work by Irish composer/sound artist Gerard Gormley under the moniker of Being Strangers is an acoustic exploration ...

Coil's first album proper is an alchemist's mix of synth pop, industrial, avant garde, rage, humour and transgression ...

It’s 1999, and a school IT lesson deep in the south east London suburbs. Our teacher asked who had a “home PC,” and everyone ...

In the third edition of his column exploring the new wave of boundary-pushing folk and traditional music, Patrick Clarke delves into music's role in our intimate relationship with place, and rounds up ...

The Manics have abandoned the ideologies and cultural touchstones that once defined them, and approached their fifteenth ...

Chris Watson is the Sibelius of the tape recorder. Ahead of his appearance with Felicia Atkinson at Kings Place next month, Luke Turner speaks to him about twelve key points in his career from early ...

Re-issued from a 1988 limited-run cassette, this piquant slab of progressive Parisian electronics simultaneously looks back to 1970s kosmische and forward to the uncanny tones of the Ghost Box label ...

The Cult will tour the UK next year and have released new material earlier this month. Our man John Robb spoke to singer Ian Astbury about the history of The Cult, working with Boris and how the ...

When Einstürzende Neubauten formed in West Berlin 44 years ago, few would have predicted the speed-fuelled, metal-bashing industrial pioneers would be easing into their fifth decade by releasing their ...

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As the avant-garde legend unveils her epic new multimedia performance ARK: United States V, Alastair Shuttleworth picks out ten key tracks from her otherworldly discography ...

The centrepiece of Wong Kar-wai's melancholy drama Happy Together is a raw depiction of gay romance, but it speaks to the filmmaker's wider fascination with Hong Kong migrant cinema, finds Ian Wang ...