Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
ScreenRant interviews Presence composer Zack Ryan about his experience working on beloved director Steven Soderbergh’s unique ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.
The blowout success of 1999’s The Blair Witch Project really did a number on the horror genre. It wasn’t the first faux-found ...
The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene ...
What if a ghost could tell its own story but not speak? That is the wildly compelling premise of Presence. Director Steven Soderbergh reteams with Kimi screenwriter David Koepp for an unconventional ...
I knew almost nothing about Presence before I went to see it. I hadn’t seen a trailer or read a plot description or reviews.
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Soderbergh didn’t capitalize on his success. Through most of the ’90s, he directed movies more suited to the arthouse than ...