Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.
Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
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ScreenRant on MSN“He’s Not Going To Throw You A Fastball Over The Plate”: Presence Composer Zack Ryan Talks Working With Steven Soderbergh On The Auteur’s Foray Into HorrorScreenRant interviews Presence composer Zack Ryan about his experience working on beloved director Steven Soderbergh’s unique ...
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
Steven Soderbergh is a tough director to pin down. Now, the Oscar winner is taking on a ghost story called Presence.
The blowout success of 1999’s The Blair Witch Project really did a number on the horror genre. It wasn’t the first faux-found ...
The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene ...
Often the camera operator on his own films, the Oscar-winning director of "Traffic" had an idea for a first-person horror ...
I knew almost nothing about Presence before I went to see it. I hadn’t seen a trailer or read a plot description or reviews.
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